The crossover wind
whistles through the woods,
traces an arc above the sea.
An enclosed sea coast,
being spied on through the
window,
of a cheap hotel room,
draws a face, so lovely.
Inside the room, a dusty
lampshade emits light,
In the shape of me. The shape of
me,
and the crossover wind,
travels a distance over the sea.
The crossover wind
trapped between the hotel and the
sea,
a prisoner of the evening.
The frayed ends of the evening,
prick in my eyes,
initiating the gradual process,
of engendering the night.
Two eyes. Two anachronistic
captives of an anachronistic night,
hunt for their murderer. Their
murderer,
like the crossover wind, mad and
noisy,
seeking its identity, restlessly
wanders.
The crossover wind
greets this town, exchanges a
smile,
grabs a whit of it from the
native air.
The midway hangs
cut by the sea-shore off the
midnight,
like the memory of an ex-lover
suspended in the twilight.
A private shadow, entangled by
the hotel walls,
sinks in the sea. Sinks in the
sea,
when the crossover wind,
frisks the him within me.
(First published in Enchanting Verses: November 2011)
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